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The association of photography with memory is well known but memories become faulty over time and images can only represent a fragment of time.


Inspired by memories of my own teenage years, this project reconstructs scenarios using a cinematic technique. This suggests a relationship between the creation of memories and the story-telling of cinema while, at the same time, something mundane is rendered ambiguous and thought-provoking.


Viewers are invited to remember their own pasts, to re-connect with the emotions of youth and to question the authenticity of memories. What hides behind the surface of these images? Can we trust what we think we remember?


Carl Wilson

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